Category Archives: Music

Crick website article

A few weeks ago I went to Wrexham to talk with Mike Corcoran about working science and music as part of the Darganfod/Discover festival. Thanks to Greta Keenan who does media and press at the Crick Institute, I’ll soon have a short article on the Crick’s website about this subject. Keep an eye out!

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Talk at DARGANFOD//DISCOVER

On Friday I’ll be in Wrexham to take part in the DARGANFOD//DISCOVER festival that Mike Corcoran is organising. Roughly speaking, it’s a science festival, but there’s a whole lot of stuff crossing over with arts and music too — it looks pretty amazing. Lots of credit to Mike for getting it together, and for agreeing to lend his formidable conversation-leading powers to help my talk make a bit more sense.

Physics in Biology and Science in Music // Ffiseg mewn bioleg a Gwyddoniaeth mewn cerddoriaeth

Also taking part is the amazing Bryony Benge-Abbott who, among other things, is in charge of exhibitions at the Crick institute.

Big Ideas (with the NEW Sinfonia Quartet) // Syniadau Mawr (gyda The NEW Sinfonia Quartet)

Videos & Sound and Nordstrand

Here are some more recordings from my quartet gig a few weeks ago in Leeds, all together in one post for convenience. Videos: It’s You by Lee Konitz, the standard Just Friends, and Bud Powell’s I’ll Keep Loving You. Then, some audio: Subconscious Lee (Konitz), and the Love Theme and Memories of Green, from the Blade Runner soundtrack by Vangelis.

In other news, I’m now an endorsing artist for Nordstrand, a great company in California that made my basses and is especially famous for their excellent pickups. Thanks to Carey and everyone else there.

 

Live video: Anderson/Longhawn/Williamson/Hanley at Inkwell, Leeds

A week ago I took a quartet to Inkwell Arts in Leeds to perform some of my favourite standard and less-standard tunes, along with some arrangements from Vangelis’ wonderful jazz-noir soundtrack to Blade Runner. Ex-Leeds saxophonist Matt Anderson and Leeds-based smashers Martin Longhawn (keys) and Steve (‘Chief’) Hanley (drums) joined me. It’s quite a privilege to have these great musicians and old friends play your charts and seem to enjoy doing so :-).

Anyway, we were fortunate to have Chris Milnes there taking a few videos and sound recordings, so I’ll be uploading some over the coming weeks. Here’ s an extract from Lee Konitz’s line It’s You (over It’s You or No-One). The full video link is at the bottom.

Full video

Trailer for the new album with Brad Linde’s Team Players

In Washington DC I had the pleasure to meet and play with lots of amazing people. Perhaps the highest joy was meeting Brad Linde and Billy Wolfe at a big band gig in my first few weeks, and joining their avant-garde/americana project along with super-hip New York cats Aaron Quinn and Deric Dickens. (I also eventually joined the wonderful Bohemian Caverns Jazz Orchestra, which Brad leads with Joe Herrera.) We’ve released our second album and I just got round to making this trailer with a few extracts.

I tried to be representative, so there’s a bit of Haskell’s beautiful Starlight, Billy’s quasi-Konitzian original Turkey, Deric’s lilting and folky Pickett Fence, the standard Meet Me Tonight In Dreamland, and Aaron’s terrifying (which can be oiled in different patterns for different techniques). Finally, the video ends how the album begins, with Brad counting off a free blow named Gotta Blast!

Check out more and buy it here.

Transcription: It’s You (Lee Konitz) from Three Guys

Here’s a rough transcription of Steve Swallow, one my favourite bassists, playing on the album Three Guys with Lee Konitz and Paul Motian. (Dreamy band or what?). It’s a Konitz composition over It’s You Or No One. So far, I can’t find it online (a tiny sample in this article) but I’m reliably informed it exists on somewhere on youtube.

Anyway, here is the unison line that ends the tune:

It’s You unison line transcription

It’s You unison line (Eb)

And here it is played in somewhat Swallow-y style — very light roundwounds with a pick and loads of tone rolled off:

Connoisseurs will know that the pick should really be copper, and the bass a semi-acoustic with a piezo somewhere, strung E-C, etc.