I’ve just finished an arrangement of Elgar/Parry’s lovely socialist hymn, ‘Jerusalem’. This somewhat confused adaptation was part of a last minute effort by Steve Wright and myself to provide patriotic material for one of the gigs on LUU Dance Band’s 2011 tour of France — the gig happened to fall on St George’s Day, so the enthusiastic and numerous ex-pat community of Bergerac had requested that Jerusalem and Land of Hope and Glory be played that night. We forgot about it until a week before the tour, during which Steve was very busy with other things, and fun ensued.
I hope soon to upload an export or recording of Steve’s wonderful jazz-waltz setting (yes) of the latter tune, but for now here is an export of Jerusalem using the Sibelius 7 Sounds library.
Due to a minor bug and the fact that it was made in Sibelius 6 originally (I think), the inbuilt export chopped off a few notes, so I used the terrifying and excellent Audio Hijack Pro, a great Mac application that is able to steal the audio from any program and record it to a file.
Paul Gambaccini’s Radio 4 show ‘For One Night Only‘ is quite a rare thing: a radio show about (as opposed to playing) music that manages to avoid being joyless, self-indulgent and too long. That might have something to do with the fact each episode is built around a specific historical event, in this case a live concert. The show is then nice and focused and grounded, and there’s much less of the tangent-wandering concept-wankery than you sometimes get with this subject matter.
At the very least, listeners find out about some music they didn’t know before. Better, it can provide context to music you already like, and make you like it a lot more. The episode I’m talking about is this one from 2008, which looks back at the BBC Prom of 21st August 1968, when (Soviet) Rostropovich and the (Soviet) USSR State Symphony Orchestra played (Czech) Antonin Dvorak’s Cello Concerto, amid calls for the concert to be cancelled and protests in London. That’s because it had also been the day that Russian tanks invaded Czechoslovakia.
It sounds like the plot of a film, and maybe it should be. The programme’s contributors describe a tearful Rostropovich playing the music in such a way as to make it ‘completely clear whose side he was on’. I would have loved to see him play at any time, but this is a whole new level. People shouting in the audience, protestors outside, and tanks in Czechoslovakia.
I’m pretty sure an mp3 of this episode of the show can still be downloaded from some places. The CD is available on BBC Legends, for example here, and now I’m going to buy it.