My website has had a bit of a tidy-up, long overdue. I tried to organise the music page better, and reduce general clutter etc.
You don’t need to be a biologist to work at the Crick Institute! I’m not. If you are an undergraduate, here’s a way to sample the life of a biological physicist…
As an undergraduate, I hadn’t considered working in research until I fell into a summer research project with the excellent Mike Evans at Leeds. He actually ended up being my PhD supervisor, but in a broader sense the placement opened my eyes to the process of doing “new stuff”; the feeling that what you’re doing hasn’t been done before is quite a special one.
A new paper with Peter Olmsted has just appeared in Physical Review E. Like our recent Soft Matter article, it builds on our theoretical study of coupled lipid bilayer leaflets, investigating the underlying model via direct simulation. We also give a broader look at the use of “leaflet-leaflet” phase diagrams, introduced in previous theoretical works, which allow a more natural interpretation of symmetry and asymmetry in bilayers.
I was pleased to receive an email from the Soft Matter journal that our recent article has become eligible for open access. This seems to be due to a new agreement that I guess might be specific to certain universities and/or funding sources. Anyway, we aren’t complaining! Now or in the near future our article on lipid bilayer domains will be open access.
Here’s a transcription of a lovely harmonisation of Bouncin’ with Bud, from Chick Corea’s “Remembering Bud Powell”. It’s pretty similar to the original with a few slight substitutions and a nice harmony line in the head on tenor. Mainly the feel and solos on Chick + Friends’ recording are incredible.
It’s played by trumpet and tenor on the original but here I’ve used alto and tenor. Click the link below for a PDF:
Here’s a couple of great tunes I had a hard time finding transcriptions of. The first is “Butch and Butch” from Oliver Nelson’s “Blues and the abstract truth” album. I’ve transcribed it for two altos — melody line plus a simple harmony line — but the original is well worth a listen since it contains stupendously well-arranged horn backings too. The second is Bud Powell’s ballad “I’ll keep loving you”. The form of this tune varies quite a lot because it’s often played as a solo piano piece, so I’ve taken the form as done by Paul Motian and the Electric Bebop Band. Enjoy!