Tag Archives: bop

Recordings + Charts from Ben/George/Martin/John/Chief

Yo.

A few weeks ago I did my second-to-last gig in the UK, for a change leading a project and so being able to choose some tunes I’d always wanted to play but hadn’t. It was lovely to have some great friends in the audience, and in the band. George Millard kindly came up from London, and he and Ben brought some nice songs along too. There were lots of contrafacts, lots of bop and a few lovely ballads. I’ve uploaded a selection to a Soundcloud set and am making the PDFs available too. I just zipped up the folder containing the charts but it’s pretty easy to see how they fit together. Hopefully they’ll save people having to transcribe some of the less well-known ones themselves. Do tell me if you end up using them, it’d be nice to know.

Charts

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Final recital

I’ll shortly be moving away from Leeds (more about that in another post). It’s been a great place to spend the last 4 years in so many ways, none more so than in the wonderful people I’ve played music with here. It all started with the Leeds University Union Big Band, then local jam nights bumping into students and alumni of Leeds College of Music, and countless weekends driving between the weddings of people I don’t know, accompanied by the best musicians and nicest people I could hope to meet. Lots of love to everyone involved.

My last “public” gig in Leeds for quite a while is coming up this Saturday at the HEART venue in Headingley. It’s a project I’ve put together for a couple of one-off gigs. That gives me as a bassist the rare chance to choose and arrange a lot of the tunes, bringing back fond memories of leading the considerably bigger but no less enjoyable Uni Big Band. The band features some great friends and top players:

— Steve Hanley (drums)

— Martin Longhawn (piano)

Ben Lowman (sax)

— George Millard (sax)

We’ll be doing a selection broadly covering west coast, bop, hard bop, beautiful ballads and a few odds and ends. The idea is to focus on great melodies, in tunes that might even be reasonably well-known but for whatever reason aren’t performed very often. It’s involved lots of transcribing and lots of trying to recall the names of half-remembered lines. Konitz, Nelson, Powell, Corea, Vangelis, etc etc. It’s going to be great fun, pretty accessible and hopefully provide a lot of interest and variety for jazzers in the audience too. Tickets are available through HEART.