The stats on my site tell me a few things. One is that, particularly on Fridays, my visitors are predominantly Gardener’s World fans who have arrived here through the TV show’s ‘Community’ page on the BBC website, thanks to a pretty nothingy post I wrote about it one time. It has 33 comments.
Another thing is that quite a few people get here by searching for ‘Laurence Cottle transcription’ (brave souls), which is the kind of visit I’d prefer to encourage. So…
Here’s a transcription — the hideously fiddly yet actually quite listenable bass part from Laurence Cottle’s ‘Quite Firm’. There’s a few versions of the track on his website, a couple on the big band album and a small band one from ‘Live!’. I’ve used the Live! version as a template and transcribed the head. It’s really good writing, fits in brilliantly with the horn lines and in a perverse sort of way falls quite nicely under the fingers — definitely a bass player’s line. Here’s the PDF:
Quite Firm – Bass Guitar
And here’s a clip of me just about getting through the A and B sections (playing along to the ‘Bonus’ version from big band album, because the Live! one is out of tune with A=440Hz):
Here’s a quick video of what I’m mostly practising at the moment. It’s from Nigel Hitchcock’s ‘Snakeranch Sessions’ album (on which Laurence Cottle plays), which is downloadable here, and if you listen carefully you can hear that it’s an introduction to Cherokee. The album is full of very fast bass and alto sax unison lines, which is a sound I really like — the poppy attack of bass gives a bit more definition and the smoother, fuller notes on sax sort of make sure that you can actually hear what the note is at that speed. Really good.
Anyway, George Millard has transcribed (and pretty much nailed) this introduction for his recital, which is at 5pm on the 31st of May at Leeds University’s School of Music, and features Steve Hanley, Aron Kyne, Ben Lowman and Matt Yardley, and me. Possibly someone else too.
Here’s a video of practice in progress — I’m not sure if I’ll actually play the unison line next week but in any case it’s been horrible and annoying to practice, which is probably a good thing. Below that, there’s a clip of Laurence Cottle and Nigel Hitchcock playing it even faster than they do on the CD. Madness.